The books are from “The Journey” by Mary Oliver, from “Stopping by Woods on a Snowy Evening” by Robert Frost, and from “12 (from ‘Gitanjali’)” by Rabindranath Tagore.

Which statement below provides the most accurate analysis about the use of structure and sound in the poems?

Answer choices for the above question

A. “The Journey” and “12 (from ‘Gitanjali’)” are in free verse, but “Stopping by Woods on a Snowy Evening” has regular stanza length, rhythm, and rhyme scheme.

B. “The Journey” and “Stopping by Woods on a Snowy Evening” have regular stanza length and rhythm, but “12 (from ‘Gitanjali’)” is free verse.

C. All three poems have regular rhythm, but only “Stopping by Woods on a Snowy Evening” has regular rhyme scheme.

D. All three poems have regular stanza length, but only “Stopping by Woods on a Snowy Evening” has regular meter and rhyme scheme.

Answer:

A. “The Journey” and “12 (from ‘Gitanjali’)” are in free verse, but “Stopping by Woods on a Snowy Evening” has regular stanza length, rhythm, and rhyme scheme.

Explanation:

The statement that provides the most accurate analysis about the use of structure and sound in the poems is:

According to the given excerpt, we can see that the poets of the two poems make use of different styles to convey their ideas as they make use of structure and sound to make their poems unique.

As a result of this,  the writer of The Journey makes use of free verse, while the writer of Stooping by Woods makes use of the regular stanza lenght and other poetic coventions.

Therefore, the correct answer is option A

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Read the story.

Home

Hattie stepped off the screeching subway train and lugged her possessions onto the escalator. When she finally emerged from underground, she got to the sidewalk and looked at the landscape. She was used to flatness and green; the farm that they’d just sold had cattle grazing as far as the eye could see. There was nothing green in sight here as cement behemoths sprung out of the ground taller than the stalks of corn back in Iowa. People zipped in front of her with briefcases tucked to their sides as high heels clacked on the pavement. It was all so overwhelming, so loud, and Hattie put her hands over her ears to shut out the sounds of the taxi horns and the thousand different conversations. Her little sister Evelyn didn’t; she was trying to take it all in.

Her mother pulled out a map from her purse and held it in shaky hands. “According to this, our new home should be right here.”

Hattie traced her mother’s index finger to a building that was so high that she had to crane her neck to see the top.

“This?” Evelyn gasped.

Her father, the man who was never at a loss for words, didn’t say anything. He adjusted the weight of the three bags that contained most of the possessions they’d been able to bring on the three-hour plane journey that had uprooted them from their old lives and deposited them in New York City.

Her father struggled to open the heavy front door, and when they were inside, the smell of hundreds of different meals clashed in her nose: spaghetti, fried chicken, fish, and curry. They stood in front of a bank of elevators as Evelyn pushed the button for the seventeenth floor. When they entered what would be their new home, Hattie spun around in tiny circles as her father gave them the “grand” tour.

“Here is where you and Evelyn will sleep,” he announced. He pointed to a room that was half the size of the Iowa bedroom that was hers alone, the same Iowa bedroom where she’d had all her sleepovers and whose walls still showcased the crayon scribbles from when she was a toddler. She’d tried to scrub them clean, but they were more stubborn than she was, so they would be there for the new family that would be moving in soon.

Evelyn tried to sound excited. “We get to share a room!”

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“And here is where your mom and I will be.” She could hear the forced excitement in her father’s voice for a move that he didn’t want to make either. But they’d had to sell the farm, and when this opportunity presented itself, there had really been no choice.

The tour was over as soon as it started—tiny kitchen, one bathroom, boxy living room. The four of them would be sharing an apartment that was smaller than the drafty old kitchen in the farmhouse.

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“I miss it too,” Evelyn began, “but we don’t have to forget it.”

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